Cornelie De Retz Van Loo, a twenty-three-year-old divorcee from an upper-class Hague milieu, tries with mixed feelings to begin a new life in Italy. After some time in Rome, she discovers that Italy itself can never bring her the consolation she seeks, and writes a pamphlet on "The Social Position of the Divorced Woman". She meets the Dutch painter Duco van der Staal, and they ...(展开全部)

Cornelie De Retz Van Loo, a twenty-three-year-old divorcee from an upper-class Hague milieu, tries with mixed feelings to begin a new life in Italy. After some time in Rome, she discovers that Italy itself can never bring her the consolation she seeks, and writes a pamphlet on "The Social Position of the Divorced Woman". She meets the Dutch painter Duco van der Staal, and they ...(展开全部)

Cornelie De Retz Van Loo, a twenty-three-year-old divorcee from an upper-class Hague milieu, tries with mixed feelings to begin a new life in Italy. After some time in Rome, she discovers that Italy itself can never bring her the consolation she seeks, and writes a pamphlet on "The Social Position of the Divorced Woman". She meets the Dutch painter Duco van der Staal, and they ...(展开全部)

Cornelie De Retz Van Loo, a twenty-three-year-old divorcee from an upper-class Hague milieu, tries with mixed feelings to begin a new life in Italy. After some time in Rome, she discovers that Italy itself can never bring her the consolation she seeks, and writes a pamphlet on "The Social Position of the Divorced Woman". She meets the Dutch painter Duco van der Staal, and they ...(展开全部)

Cornelie De Retz Van Loo, a twenty-three-year-old divorcee from an upper-class Hague milieu, tries with mixed feelings to begin a new life in Italy. After some time in Rome, she discovers that Italy itself can never bring her the consolation she seeks, and writes a pamphlet on "The Social Position of the Divorced Woman". She meets the Dutch painter Duco van der Staal, and they ...(展开全部)

Cornelie De Retz Van Loo, a twenty-three-year-old divorcee from an upper-class Hague milieu, tries with mixed feelings to begin a new life in Italy. After some time in Rome, she discovers that Italy itself can never bring her the consolation she seeks, and writes a pamphlet on "The Social Position of the Divorced Woman". She meets the Dutch painter Duco van der Staal, and they ...(展开全部)

路易斯·库佩勒斯（Louis Couperus 1863-1923）十九世纪末至二十世纪初欧洲著名小说家，作品曾受到曼斯菲尔德、王尔德、福楼拜等人的赞赏，至今仍为世界文坛所推崇，被誉为“他那一代人中最伟大的荷兰小说家”，“完全可以与约瑟夫·康拉德媲美”。著有《小灵魂》、《光之山》、《隐藏的力量》、《命中注定》等名作，在全球被翻译成多种文字出版。其中《命中注定》被视为库佩勒斯“最优雅的作品”。库佩勒斯身为荷兰阔少，具有同性恋倾向，其作一度受到抵制与责难。晚年声誉日隆。他以华丽抒情的文字记述了世纪末的颓废衰败，对女性的描写异常精到和细腻，对热带亚洲种族混杂和污浊暖味的事物寄予了深切同情，使其作品特别具有现代性。

路易斯·库佩勒斯（Louis Couperus 1863-1923）十九世纪末至二十世纪初欧洲著名小说家，作品曾受到曼斯菲尔德、王尔德、福楼拜等人的赞赏，至今仍为世界文坛所推崇，被誉为“他那一代人中最伟大的荷兰小说家”，“完全可以与约瑟夫·康拉德媲美”。著有《小灵魂》、《光之山》、《隐藏的力量》、《命中注定》等名作，在全球被翻译成多种文字出版。其中《命中注定》被视为库佩勒斯“最优雅的作品”。库佩勒斯身为荷兰阔少，具有同性恋倾向，其作一度受到抵制与责难。晚年声誉日隆。他以华丽抒情的文字记述了世纪末的颓废衰败，对女性的描写异常精到和细腻，对热带亚洲种族混杂和污浊暖味的事物寄予了深切同情，使其作品特别具有现代性。

A riveting, incisive, and wide-ranging book about the Right to Die movement, and the doctors, patients, and activists at the heart of this increasingly urgent issue. More states and countries are passing right-to-die laws that allow the sick and suffering to end their lives at pre-planned moments, with the help of physicians. But even where these laws exist, they leave many peo...(展开全部)